Mental Theater | Vincent Hedan Thinking Paradox There was a good reason

There was a good reason

whether you call it Red Hot Mama or Chicago Opener

which now avoids the problems of the chain breaking as in the original

to put it another way

Mental Theater | Vincent Hedan Thinking Paradox There was a good reasonWhat if mystery could arise from simple objects, authentic storytelling, and your relationship with the audience? I performed theater for ten years, and that practice made me realize that, in close up as on stage, mentalism is also theater. But it is a particular kind of theater: the spectator enters it without knowing his lines, his role, or even the story he has just stepped into. He discovers the play while performing it. This situation creates a